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adeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
againnounUS /again/
an important story-specific word used in this passage
From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
all
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From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
appear
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From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
ascend
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
awake
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From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
Beauty
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From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
bramble
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From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
change
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From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
crimson
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From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
day
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From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
day's
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
dear
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From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
dusk
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
end
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
eve
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From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
everydeterminerUS /ˈevəri/
all the members of a group, with none left out
From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
field
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From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
firstnounUS /first/
an important story-specific word used in this passage
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
flow
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From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
flower
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From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
friend
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
garden
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From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
heaven
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From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
herdeterminerUS /hɜːr/
belonging to a woman, girl, or female animal already mentioned
From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
hour
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From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
how
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From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
IpronounUS /aɪ/
the person speaking or writing, as the subject of the verb
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
itpronounUS /ɪt/
a thing, animal, or idea already mentioned
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
kiss
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
knownounUS /know/
an important story-specific word used in this passage
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
lastnounUS /last/
an important story-specific word used in this passage
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
Letauxiliary verbUS /let/
used to make a suggestion or a command including the speaker
From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
lives
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
love
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
NorconjunctionUS /nɔːr/
and not; used after a negative to add a second negative
From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
OnepronounUS /wʌn/
used to mean any person in general, including the speaker
From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
ourdeterminerUS /ˈaʊər/
belonging to the speaker and others
From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
past
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
path
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From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
pebble
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From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
present
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From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
receive
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
render
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
road
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
shades
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
shouldmodal verbUS /ʃʊd/
used to say what is right, expected, or advisable
From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
sky
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
slumber
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From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
star
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From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
symphony
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From this reading Our lives, and every day and hour, One symphony appear: One road, one garden—every flower And every bramble dear.
tender
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From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading Let Beauty awake in the eve from the slumber of day, Awake in the crimson eve!
things
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From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
tittle
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From this reading One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
view
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
wake
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
WhenconjunctionUS /wen/
at the time that
From this reading In the day’s dusk end When the shades ascend, Let her wake to the kiss of a tender friend To render again and receive!
whole
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
withprepositionUS /wɪð/
in the company of; together with
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
X
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From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.
youpronounUS /juː/
the person or people being spoken to
From this reading X I know not how it is with you— _I_ love the first and last, The whole field of the present view, The whole flow of the past.