Chapter IV
A Strange Encounter Deep grief is better let alone; Voices to it are swords. FABER. "MOLLY, Molly! Where are you?" "Here—in the study.
Chapter IV
A Strange Encounter Deep grief is better let alone; Voices to it are swords. FABER. "MOLLY, Molly! Where are you?" "Here—in the study.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.
an important story-specific word used in this passage
From this reading “A Strange Encounter Deep grief is better let alone; Voices to it are swords.”
an important story-specific word used in this passage
From this reading “"Here—in the study.”
used to make a suggestion or a command including the speaker
From this reading “A Strange Encounter Deep grief is better let alone; Voices to it are swords.”
Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
an important story-specific word used in this passage
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
the form of “be” used with you, we, they, or a plural noun
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading FABER.
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From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
an important story-specific word used in this passage
From this reading "Here—in the study.
inside something, or within a place, period, or state
From this reading "Here—in the study.
the form of “be” used with he, she, it, or a singular noun
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
a thing, animal, or idea already mentioned
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
used to make a suggestion or a command including the speaker
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading "MOLLY, Molly!
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading "Here—in the study.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading "Here—in the study.
used before the base form of a verb to make the infinitive
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A Strange Encounter Deep grief is better let alone; Voices to it are swords.
in or at the place that
From this reading Where are you?"
the person or people being spoken to
From this reading Where are you?"