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adeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
absolutely
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
alike
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
all
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
always
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
amongprepositionUS /əˈmʌŋ/
surrounded by; in the middle of a group
From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
asconjunctionUS /æz/
at the same time that; because; in the way that
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
awakes
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
basis
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
boreal
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
byprepositionUS /baɪ/
showing who or what does the action
From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
C
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
calling
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
chord
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
color
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
dawn
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
eachdeterminerUS /iːtʃ/
every one of two or more people or things, taken separately
From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
effects
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
everywhere
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
fact
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
falls
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
firstnounUS /first/
an important story-specific word used in this passage
From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
flow
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
flows
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
forprepositionUS /fɔːr/
intended to be given to, or used by, somebody
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
fundamental
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
giving
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
glides
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
harmony
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
heard
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
hisdeterminerUS /hɪz/
belonging to a man, boy, or male animal already mentioned
From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
imagery
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
instruments
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
itpronounUS /ɪt/
a thing, animal, or idea already mentioned
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
itsdeterminerUS /ɪts/
belonging to the thing or animal already mentioned
From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
itselfpronounUS /ˌɪtˈself/
used when the thing doing the action is also its object
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
Just
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
light
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
mildness
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
motif
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
mountain-tops
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
moves
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
music
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
musician
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
natural
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
nextnounUS /next/
an important story-specific word used in this passage
From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading Is it not so?
objects
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
onprepositionUS /ɑːn/
touching and supported by a surface
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
onepronounUS /wʌn/
used to mean any person in general, including the speaker
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
only
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
orchestra
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
out
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
rill
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
samenounUS /same/
an important story-specific word used in this passage
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
sheds
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
simple
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
soconjunctionUS /soʊ/
for that reason; with the result that
From this reading Is it not so?
sole
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
spreads
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
string
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
sun
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
taken
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
thempronounUS /ðem/
the people or things already mentioned, as the object
From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
then
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
thingnounUS /thing/
an important story-specific word used in this passage
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
ThisdeterminerUS /ðɪs/
used for a person or thing that is near, or that has just been mentioned
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
throughnounUS /ˈthrough/
a story-specific word describing an important person, object, action, or idea in this passage
From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
tillprepositionUS /tɪl/
up to a particular time
From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
together
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
treble
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
tutti
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From this reading Just as light glides from one thing to the next, giving them color, the music moves on, calling out each rill of harmony till all flow together in the _tutti_.
valleys
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
varying
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From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.
violins
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
way
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From this reading In the same way the chord is first heard on the treble string of the violins with boreal mildness; it spreads through the orchestra, it awakes the instruments one by one, and flows among them.
Well
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From this reading Well, the musician has taken for the fundamental basis of his music, for its sole _motif_, a simple chord in C. The sun first sheds its light on the mountain-tops and then in the valleys.
withprepositionUS /wɪð/
in the company of; together with
From this reading “This dawn in imagery is, in fact, absolutely the same as the natural dawn; for light is one and the same thing everywhere, always alike in itself, the effects varying only with the objects it falls on.