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10
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From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
1849
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
19
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
adeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
AfterprepositionUS /ˈæftər/
later than; following
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
afterwards
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
againnounUS /again/
an important story-specific word used in this passage
From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
all
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
althoughnounUS /ˈalthough/
a story-specific word describing an important person, object, action, or idea in this passage
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
andeterminerUS /æn/
the form of “a” used before a word that begins with a vowel sound
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
AndconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
Arme
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
asconjunctionUS /æz/
at the same time that; because; in the way that
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
aside
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
atprepositionUS /æt/
in or near a particular place or position
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
believenounUS /ˈbelieve/
a story-specific word describing an important person, object, action, or idea in this passage
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
best
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
better
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
bleak
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From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
booksnounUS /bʊks/
Bound written or printed works.
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
breathed
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
brokennounUS /broken/
an important story-specific word used in this passage
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
butconjunctionUS /bʌt/
used to introduce something that contrasts with what came before
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
byprepositionUS /baɪ/
showing who or what does the action
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
canmodal verbUS /kæn/
to be able to, or to be allowed to
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
Challenge
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
chosen
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
CHRISTUS
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
comparative
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
coursenounUS /course/
an important story-specific word used in this passage
From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
day
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From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
December
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From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
Der
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
design
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From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
diary
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
dismal
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From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
dozen
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
Elizabeth
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
employed
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
equivalent
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
ereconjunctionUS /er/
an old word for “before”
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
essentially
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
evennounUS /even/
an important story-specific word used in this passage
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
evening
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
expression
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
follows
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
forprepositionUS /fɔːr/
intended to be given to, or used by, somebody
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
furnishing
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
Golden
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
greatnounUS /great/
an important story-specific word used in this passage
From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
hadauxiliary verbUS /hæd/
the past form of “have”, used to form the past perfect
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
halfnounUS /half/
an important story-specific word used in this passage
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
hepronounUS /hiː/
a man, boy, or male animal already mentioned, as the subject
From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
Heinrich
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
hisdeterminerUS /hɪz/
belonging to a man, boy, or male animal already mentioned
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
hours
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
Hungary
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
IpronounUS /aɪ/
the person speaking or writing, as the subject of the verb
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
ifconjunctionUS /ɪf/
on condition that; in the event that
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
inspired
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
interest
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
intoprepositionUS /ˈɪntuː/
moving to the inside of something
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
Introïtus
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
itsdeterminerUS /ɪts/
belonging to the thing or animal already mentioned
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
judge
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
just
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
Kingsley's
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
laid
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
Later
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
Legend
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
lifenounUS /life/
an important story-specific word used in this passage
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
LOFTIER
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
longnounUS /long/
an important story-specific word used in this passage
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
Longfellow
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
many
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
meditated
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
mediæval
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
melodies
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
mindnounUS /mind/
an important story-specific word used in this passage
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
minor
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
month
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
more
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
morningnounUS /morning/
an important story-specific word used in this passage
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
mydeterminerUS /maɪ/
belonging to the person speaking
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
mystery
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
nodeterminerUS /noʊ/
not any; not one
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
November
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
now
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
onprepositionUS /ɑːn/
touching and supported by a surface
From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
onepronounUS /wʌn/
used to mean any person in general, including the speaker
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
orconjunctionUS /ɔːr/
used to join alternatives or possibilities
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
original
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
partnounUS /part/
an important story-specific word used in this passage
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
period
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
place
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
poetic
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From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
pondered
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
prologue
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
reading
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
reason
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
records
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
refers
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From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
regret
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
representing
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
Saint's
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
satisfy
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
scenes
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
second
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
soconjunctionUS /soʊ/
for that reason; with the result that
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
some
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
Song
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
sorrow
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
soul
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
STRAIN
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
sublime
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
sublimer
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
sundry
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
symphony
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
taken
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From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
THEdeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
theme
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
themselvespronounUS /ðemˈselvz/
used when the people doing the action are also its object
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
there
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From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
ThisdeterminerUS /ðɪs/
used for a person or thing that is near, or that has just been mentioned
From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
Thor
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From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
throughnounUS /ˈthrough/
a story-specific word describing an important person, object, action, or idea in this passage
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
timenounUS /time/
an important story-specific word used in this passage
From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
Tragedy
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
translation
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
trouble
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
trust
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
try
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
two
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
unite
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
unworthy
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
wepronounUS /wiː/
the speaker together with one or more other people
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
whichpronounUS /wɪtʃ/
used to introduce a clause giving more about a thing just mentioned
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
wholly
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
whosedeterminerUS /huːz/
belonging to which person
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
willmodal verbUS /wɪl/
used to talk about the future, or about willingness
From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
wished
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
wrath
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
wrote
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
years
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From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"