Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Henry Wadsworth Longfellow
Henry Wadsworth Longfellow

Chapter XXI

Cover illustration for Henry Wadsworth Longfellow
Context Illustration Reading 1/18 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Henry Wadsworth Longfellow

Chapter XXI

Reading 1/18 · 5 reading units · Lines 1–5

Line 1
THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.
Line 2
Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"
Line 3
This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.
Line 4
Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.
Line 5
He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

Learner Dictionary

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.

After preposition US /ˈæftər/

later than; following

From this reading “THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.”

Again noun US /again/

an important story-specific word used in this passage

From this reading “This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.”

Although noun US /ˈalthough/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.”

Believe noun US /ˈbelieve/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

Books noun US /bʊks/

Bound written or printed works.

From this reading “He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.”

Broken noun US /broken/

an important story-specific word used in this passage

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

Course noun US /course/

an important story-specific word used in this passage

From this reading “This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.”

Ere conjunction US /er/

an old word for “before”

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

Even noun US /even/

an important story-specific word used in this passage

From this reading “THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.”

Great noun US /great/

an important story-specific word used in this passage

From this reading “This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.”

Half noun US /half/

an important story-specific word used in this passage

From this reading “Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.”

Have auxiliary verb US /hæv/

used with a past participle to form the perfect tenses

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

Life noun US /life/

an important story-specific word used in this passage

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

Long noun US /long/

an important story-specific word used in this passage

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

Mind noun US /mind/

an important story-specific word used in this passage

From this reading “THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.”

Morning noun US /morning/

an important story-specific word used in this passage

From this reading “Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.”

One pronoun US /wʌn/

used to mean any person in general, including the speaker

From this reading “He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.”

Part noun US /part/

an important story-specific word used in this passage

From this reading “Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.”

Second noun US /second/

an important story-specific word used in this passage

From this reading “Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.”

Themselves pronoun US /ðemˈselvz/

used when the people doing the action are also its object

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

Through noun US /ˈthrough/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

Time noun US /time/

an important story-specific word used in this passage

From this reading “Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.”

Whose determiner US /huːz/

belonging to which person

From this reading “Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"”

All words in this reading · 153

Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.

10

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

1849

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

19

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

AfterprepositionUS /ˈæftər/

later than; following

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

afterwards

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

againnounUS /again/

an important story-specific word used in this passage

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

all

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

althoughnounUS /ˈalthough/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

Arme

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

aside

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

believenounUS /ˈbelieve/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

best

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

better

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

bleak

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

booksnounUS /bʊks/

Bound written or printed works.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

breathed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

brokennounUS /broken/

an important story-specific word used in this passage

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

byprepositionUS /baɪ/

showing who or what does the action

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

Challenge

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

chosen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

CHRISTUS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

comparative

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

coursenounUS /course/

an important story-specific word used in this passage

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

day

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

December

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

Der

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

design

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

diary

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

dismal

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

dozen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

Elizabeth

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

employed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

equivalent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

ereconjunctionUS /er/

an old word for “before”

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

essentially

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

evennounUS /even/

an important story-specific word used in this passage

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

evening

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

expression

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

follows

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

furnishing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

Golden

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

greatnounUS /great/

an important story-specific word used in this passage

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

halfnounUS /half/

an important story-specific word used in this passage

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

Heinrich

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

hours

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

Hungary

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

inspired

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

interest

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

Introïtus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

judge

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

just

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

Kingsley's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

laid

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

Later

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

Legend

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

lifenounUS /life/

an important story-specific word used in this passage

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

LOFTIER

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

longnounUS /long/

an important story-specific word used in this passage

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

Longfellow

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

many

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

meditated

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

mediæval

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

melodies

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

mindnounUS /mind/

an important story-specific word used in this passage

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

minor

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

month

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

more

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

morningnounUS /morning/

an important story-specific word used in this passage

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

mystery

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

nodeterminerUS /noʊ/

not any; not one

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

November

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

now

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

original

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

partnounUS /part/

an important story-specific word used in this passage

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

period

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

place

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

poetic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

pondered

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

prologue

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

reading

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

reason

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

records

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

refers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

regret

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

representing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

Saint's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

satisfy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

scenes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

second

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

some

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

Song

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

sorrow

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

soul

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

STRAIN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

sublime

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

sublimer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

sundry

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

symphony

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

taken

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

theme

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

there

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This of course refers to the great poetic design of his life, "Christus, a Mystery," of which he wrote again on December 10, 1849, "A bleak and dismal day.

Thor

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

throughnounUS /ˈthrough/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

timenounUS /time/

an important story-specific word used in this passage

From this reading Wrote in the morning 'The Challenge of Thor' as prologue or '_Introïtus_' to the second part of 'Christus.'" This he laid aside; just a month from that time he records in his diary, "In the evening, pondered and meditated the sundry scenes of 'Christus.'" Later, he wrote some half dozen scenes or more of "The Golden Legend" which is Part Second of "Christus," representing the mediæval period.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

Tragedy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

translation

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

trouble

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

trust

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

try

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

two

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

unite

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

unworthy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

wepronounUS /wiː/

the speaker together with one or more other people

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

wholly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LOFTIER STRAIN: CHRISTUS After all, no translation, even taken at its best, can wholly satisfy an essentially original mind.

whosedeterminerUS /huːz/

belonging to which person

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

wished

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He afterwards wished, on reading Kingsley's "Saint's Tragedy," that he had chosen the theme of Elizabeth of Hungary in place of the minor one employed (Der Arme Heinrich), although if we are to judge by the comparative interest inspired by the two books, there is no reason for regret.

wrath

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

wrote

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"

years

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Longfellow wrote in his diary, November 19, 1849, as follows: "And now I long to try a loftier strain, the sublimer Song whose broken melodies have for so many years breathed through my soul in the better hours of life, and which I trust and believe will ere long unite themselves into a symphony not all unworthy the sublime theme, but furnishing 'some equivalent expression for the trouble and wrath of life, for its sorrow and its mystery.'"