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1821
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
adeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading “Hans of Iceland” is the work of a young man,--a very young man.
all
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
AsconjunctionUS /æz/
at the same time that; because; in the way that
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
author
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
beauxiliary verbUS /biː/
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
boy
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
clearly
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
contain
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
divine
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
divined
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
drama
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
duringprepositionUS /ˈdʊrɪŋ/
all through a period, or at some point within it
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
effort
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
eighteen-year
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
EverydeterminerUS /ˈevəri/
all the members of a group, with none left out
From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
experience
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
felt
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
fever
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
fit
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
hadauxiliary verbUS /hæd/
the past form of “have”, used to form the past perfect
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
Hans
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From this reading “Hans of Iceland” is the work of a young man,--a very young man.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
hepronounUS /hiː/
a man, boy, or male animal already mentioned, as the subject
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
IpronounUS /aɪ/
the person speaking or writing, as the subject of the verb
From this reading I.
Iceland
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From this reading “Hans of Iceland” is the work of a young man,--a very young man.
ideas
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
ingredients
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
intellectual
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading “Hans of Iceland” is the work of a young man,--a very young man.
itpronounUS /ɪt/
a thing, animal, or idea already mentioned
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
man
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From this reading “Hans of Iceland” is the work of a young man,--a very young man.
men
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
mustmodal verbUS /mʌst/
used to say something is necessary, or almost certainly true
From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
nodeterminerUS /noʊ/
not any; not one
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
observed
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading “Hans of Iceland” is the work of a young man,--a very young man.
old
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
orconjunctionUS /ɔːr/
used to join alternatives or possibilities
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
poem
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
read
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
romance
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
see
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
striving
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading “Hans of Iceland” is the work of a young man,--a very young man.
things
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
thisdeterminerUS /ðɪs/
used for a person or thing that is near, or that has just been mentioned
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
three
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From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
very
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From this reading “Hans of Iceland” is the work of a young man,--a very young man.
VOL
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From this reading VOL.
wasauxiliary verbUS /wɑːz/
the past form of “be” used with I, he, she, it, or a singular noun
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
wepronounUS /wiː/
the speaker together with one or more other people
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
whatpronounUS /wʌt/
used to ask for information about something
From this reading Every intellectual effort, be it drama, poem, or romance, must contain three ingredients,--what the author has felt, what he has observed, and what he has divined.
whopronounUS /huː/
which person or people
From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
work
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From this reading “Hans of Iceland” is the work of a young man,--a very young man.
wrote
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From this reading As we read it, we see clearly that the eighteen-year old boy who wrote “Hans of Iceland” during a fever fit in 1821 had no experience of men or things, no experience of ideas, and that he was striving to divine all this.
young
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Hans of Iceland” is the work of a young man,--a very young man.