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45
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
adeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
account
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
acquired
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
andeterminerUS /æn/
the form of “a” used before a word that begins with a vowel sound
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
any
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
artauxiliary verbUS /ɑːrt/
an old form of “are”, used with “thou”
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
asconjunctionUS /æz/
at the same time that; because; in the way that
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
asks
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
atprepositionUS /æt/
in or near a particular place or position
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
Athenians
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
atmospheric
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
Auxesia
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
beenauxiliary verbUS /bɪn/
the past participle of “be”
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
beginningnounUS /ˈbeginning/
a story-specific word describing an important person, object, action, or idea in this passage
From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
beingauxiliary verbUS /ˈbiːɪŋ/
the -ing form of “be”
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
believenounUS /ˈbelieve/
a story-specific word describing an important person, object, action, or idea in this passage
From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
bird
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
butconjunctionUS /bʌt/
used to introduce something that contrasts with what came before
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
calls
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
canmodal verbUS /kæn/
to be able to, or to be allowed to
From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
carry
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
causes
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
ceased
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
clever
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
concludes
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
consciencenounUS /ˈkɑːnʃəns/
the inner sense of right and wrong
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
consequence
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
coursenounUS /course/
an important story-specific word used in this passage
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
credence
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
Damia
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
daring
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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
deities
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
Dodona
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
dove
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
EvennounUS /even/
an important story-specific word used in this passage
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
far
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
fell
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
forprepositionUS /fɔːr/
intended to be given to, or used by, somebody
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
foreign
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
foundation
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
God
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
gone
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
greatnounUS /great/
an important story-specific word used in this passage
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
Greeks
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
hadauxiliary verbUS /hæd/
the past form of “have”, used to form the past perfect
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
havingauxiliary verbUS /ˈhævɪŋ/
the -ing form of “have”
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
hepronounUS /hiː/
a man, boy, or male animal already mentioned, as the subject
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
himpronounUS /hɪm/
the male already mentioned, as the object of a verb or preposition
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
himselfpronounUS /hɪmˈself/
used when the man or boy doing the action is also its object
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
hisdeterminerUS /hɪz/
belonging to a man, boy, or male animal already mentioned
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
hope
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
How
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
howeveradverbUS /ˌhaʊˈevər/
used to add a contrasting statement
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
human
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
IpronounUS /aɪ/
the person speaking or writing, as the subject of the verb
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
ii
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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
incantations
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
inclined
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
inspired
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
intoprepositionUS /ˈɪntuː/
moving to the inside of something
From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
itpronounUS /ɪt/
a thing, animal, or idea already mentioned
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
knees
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
likes
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
limits
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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
lookednounUS /looked/
an important story-specific word used in this passage
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
Magians
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
majority
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
man
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
maymodal verbUS /meɪ/
used to say something is possible, or to give permission
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
Melampos
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
miracle
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
more
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
myselfpronounUS /ˌmaɪˈself/
used when the speaker is also the object of the action
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
mythical
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
nodeterminerUS /noʊ/
not any; not one
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
off
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
onprepositionUS /ɑːn/
touching and supported by a surface
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
onepronounUS /wʌn/
used to mean any person in general, including the speaker
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
ordinary
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
pardon
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
passagenounUS /ˈpassage/
a story-specific word describing an important person, object, action, or idea in this passage
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
Persian
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
pious
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
place
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
primeval
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
princessnounUS /ˈprɪn.ses/
The daughter of a monarch; a female member of a royal family.
From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
prophecynounUS /ˈprɒf.ə.si/
A prediction of what will happen in the future, often divinely or magically inspired.
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
prophet
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
rationalises
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
rationalism
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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
rationalistic
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
regards
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
rejects
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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
religious
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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
sacrilegious
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
says
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
seems
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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
Similarly
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
soconjunctionUS /soʊ/
for that reason; with the result that
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
speak
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
statues
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
storm
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
strove
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
suchdeterminerUS /sʌtʃ/
of the kind already mentioned
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
tale
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
theirdeterminerUS /ðer/
belonging to the people or things already mentioned
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
thempronounUS /ðem/
the people or things already mentioned, as the object
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
thesedeterminerUS /ðiːz/
the plural of “this”: the people or things near, or just mentioned
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
theypronounUS /ðeɪ/
the people, animals, or things already mentioned, as the subject
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
toldnounUS /told/
an important story-specific word used in this passage
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
troubled
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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
voice
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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
War
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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
whenconjunctionUS /wen/
at the time that
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
whichpronounUS /wɪtʃ/
used to introduce a clause giving more about a thing just mentioned
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
whopronounUS /huː/
which person or people
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
whompronounUS /huːm/
the form of “who” used as the object of a verb or preposition
From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
willmodal verbUS /wɪl/
used to talk about the future, or about willingness
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
withprepositionUS /wɪð/
in the company of; together with
From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
withinprepositionUS /wɪˈðɪn/
inside; before a period of time has passed
From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
Æginetan
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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’