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Essays and Lectures
Essays and Lectures

Chapter II

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Context Illustration Reading 1/25 · 5 lines
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Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Essays and Lectures

Chapter II

Reading 1/25 · 5 reading units · Lines 1–5

Line 1
Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.
Line 2
45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.
Line 3
‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.
Line 4
Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.
Line 5
He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

Learner Dictionary

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.

Art auxiliary verb US /ɑːrt/

an old form of “are”, used with “thou”

From this reading “He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’”

Been auxiliary verb US /bɪn/

the past participle of “be”

From this reading “Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.”

Beginning noun US /ˈbeginning/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.”

Being auxiliary verb US /ˈbiːɪŋ/

the -ing form of “be”

From this reading “45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.”

Believe noun US /ˈbelieve/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.”

Conscience noun US /ˈkɑːnʃəns/

the inner sense of right and wrong

From this reading “Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.”

Course noun US /course/

an important story-specific word used in this passage

From this reading “45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.”

Even noun US /even/

an important story-specific word used in this passage

From this reading “Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.”

Great noun US /great/

an important story-specific word used in this passage

From this reading “45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.”

Have auxiliary verb US /hæv/

used with a past participle to form the perfect tenses

From this reading “Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.”

Having auxiliary verb US /ˈhævɪŋ/

the -ing form of “have”

From this reading “45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.”

Himself pronoun US /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading “He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’”

However adverb US /ˌhaʊˈevər/

used to add a contrasting statement

From this reading “Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.”

Looked noun US /looked/

an important story-specific word used in this passage

From this reading “He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’”

May modal verb US /meɪ/

used to say something is possible, or to give permission

From this reading “He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’”

Myself pronoun US /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading “He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’”

One pronoun US /wʌn/

used to mean any person in general, including the speaker

From this reading “He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’”

Passage noun US /ˈpassage/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.”

Princess noun US /ˈprɪn.ses/

The daughter of a monarch; a female member of a royal family.

From this reading “‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.”

Prophecy noun US /ˈprɒf.ə.si/

A prediction of what will happen in the future, often divinely or magically inspired.

From this reading “He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’”

Speak noun US /speak/

an important story-specific word used in this passage

From this reading “‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.”

These determiner US /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading “Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.”

Told noun US /told/

an important story-specific word used in this passage

From this reading “He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’”

Within preposition US /wɪˈðɪn/

inside; before a period of time has passed

From this reading “Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.”

All words in this reading · 131

Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.

45

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

account

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

acquired

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

any

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

asks

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

atprepositionUS /æt/

in or near a particular place or position

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

Athenians

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

atmospheric

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

Auxesia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

beginningnounUS /ˈbeginning/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

believenounUS /ˈbelieve/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

bird

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

calls

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

carry

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

causes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

ceased

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

clever

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

concludes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

consciencenounUS /ˈkɑːnʃəns/

the inner sense of right and wrong

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

consequence

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

coursenounUS /course/

an important story-specific word used in this passage

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

credence

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

Damia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

daring

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

deities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

Dodona

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

dove

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

EvennounUS /even/

an important story-specific word used in this passage

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

far

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

fell

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

foreign

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

foundation

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

God

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

gone

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

greatnounUS /great/

an important story-specific word used in this passage

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

Greeks

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

hope

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

human

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

ii

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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

incantations

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

inclined

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

inspired

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

knees

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

likes

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

limits

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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

lookednounUS /looked/

an important story-specific word used in this passage

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

Magians

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

majority

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

man

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

Melampos

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

miracle

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

more

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

mythical

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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

nodeterminerUS /noʊ/

not any; not one

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

off

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

ordinary

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

pardon

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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

passagenounUS /ˈpassage/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

Persian

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

pious

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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

place

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

primeval

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

princessnounUS /ˈprɪn.ses/

The daughter of a monarch; a female member of a royal family.

From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

prophecynounUS /ˈprɒf.ə.si/

A prediction of what will happen in the future, often divinely or magically inspired.

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

prophet

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

rationalises

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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

rationalism

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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

rationalistic

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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

regards

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

rejects

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From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

religious

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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

sacrilegious

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

says

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

seems

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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

Similarly

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

speak

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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

statues

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

storm

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

strove

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

tale

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

toldnounUS /told/

an important story-specific word used in this passage

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

troubled

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From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

voice

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From this reading ‘How can a dove speak with a human voice?’ he asks, and rationalises the bird into a foreign princess.

War

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From this reading Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the _Magians_.

whenconjunctionUS /wen/

at the time that

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

whopronounUS /huː/

which person or people

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

withprepositionUS /wɪð/

in the company of; together with

From this reading 45) concludes with a pious hope that God will pardon him for having gone so far, the great rationalistic passage being, of course, that in which he rejects the mythical account of the foundation of Dodona.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading Even within these limits, however, his religious conscience seems to have been troubled at such daring rationalism, and the passage (ii.

Æginetan

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From this reading He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, ‘a clever man who had acquired for himself the art of prophecy’; and as regards the miracle told of the Æginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, ‘any one may believe it,’ he says, ‘who likes, but as for myself, I place no credence in the tale.’