Chapter I
Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP BOOK EIGHTH—FADING AWAY OF THE TWILIGHT BOOK NINTH—SUPREME SHADOW, SUPREME DAWN CART
Chapter I
Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP BOOK EIGHTH—FADING AWAY OF THE TWILIGHT BOOK NINTH—SUPREME SHADOW, SUPREME DAWN CART
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.
United States clockmaker who introduced mass production (1785-1859)
From this reading “Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT”
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
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From this reading BOOK EIGHTH—FADING AWAY OF THE TWILIGHT
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
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From this reading CART
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
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From this reading BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP
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From this reading BOOK NINTH—SUPREME SHADOW, SUPREME DAWN
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From this reading BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP
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From this reading BOOK EIGHTH—FADING AWAY OF THE TWILIGHT
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From this reading BOOK EIGHTH—FADING AWAY OF THE TWILIGHT
showing where something starts, or who sent it
From this reading BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP
an important story-specific word used in this passage
From this reading BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
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From this reading BOOK NINTH—SUPREME SHADOW, SUPREME DAWN
not any; not one
From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
belonging to, or connected with, somebody or something
From this reading BOOK EIGHTH—FADING AWAY OF THE TWILIGHT
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP
A dark area or shape produced by a body coming between rays of light and a surface.
From this reading BOOK NINTH—SUPREME SHADOW, SUPREME DAWN
an important story-specific word used in this passage
From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
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From this reading BOOK NINTH—SUPREME SHADOW, SUPREME DAWN
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
United States clockmaker who introduced mass production (1785-1859)
From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
the dim light before night or sunrise
From this reading BOOK EIGHTH—FADING AWAY OF THE TWILIGHT
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From this reading Thomas Y. Crowell & Co. No. 13, Astor Place BOOK SIXTH—THE SLEEPLESS NIGHT
What is the central philosophical inquiry and narrative progression in 'Act 01: The Discourse of Les Misérables — The Origin & The Dilemma'?
How does the prose style reflect classical academic excellence?
What primary language acquisition value does this text offer advanced English scholars?