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Beatrix
Beatrix

Chapter I

Cover illustration for Beatrix
Context Illustration Reading 1/34 · 5 lines
English subtitles · tap any word to listen 1 / 5
It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.
In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.
But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.
Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.
Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Beatrix

Chapter I

Reading 1/34 · 5 reading units · Lines 1–5

Line 1
It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.
Line 2
In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.
Line 3
But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.
Line 4
Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.
Line 5
Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

Learner Dictionary

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.

Been auxiliary verb US /bɪn/

the past participle of “be”

From this reading “It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.”

Great noun US /great/

an important story-specific word used in this passage

From this reading “In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.”

Has auxiliary verb US /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading “It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.”

Life noun US /life/

an important story-specific word used in this passage

From this reading “It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.”

Never noun US /never/

an important story-specific word used in this passage

From this reading “It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.”

Remarkable noun US /ˈremarkable/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.”

Though conjunction US /ðoʊ/

in spite of the fact that

From this reading “Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.”

Time noun US /time/

an important story-specific word used in this passage

From this reading “But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.”

All words in this reading · 101

Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.

accused

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

actual

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

admitted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

applied

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

Armand

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

atprepositionUS /æt/

in or near a particular place or position

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

Balzac

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

Beatrix

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

Berryer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

Camille

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

Carrel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

certain

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

character

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

characteristics

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

Chrestien

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

circumstances

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

Claude

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

Comtesse

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

Conti

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

Couture's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

critic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

d'Agoult

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

d'Arthez

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

daily

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

Daniel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

dealing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

des

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

description

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

drawing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

easily

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

Etienne

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

famous

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

George

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

Georges

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

GreatnounUS /great/

an important story-specific word used in this passage

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

Gustave

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

human

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

imagined

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

Janin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

Jules

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

lifenounUS /life/

an important story-specific word used in this passage

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

likenesses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

Liszt

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

Lousteau

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

Mademoiselle

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

Man

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

Maupin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

Michel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

minute

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

nature

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

nevernounUS /never/

an important story-specific word used in this passage

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

painted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

Paris

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

personal

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

persons

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

Planche

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

portraits

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

possibly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

present

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

Provinces

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

publication

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

recognized

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

remarkablenounUS /ˈremarkable/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

representing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

Sand

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

sketches

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

some

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

somewhat

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

thousand

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

three

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

timenounUS /time/

an important story-specific word used in this passage

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

Touches

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing.

traits

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

two

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

used

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From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

Vignon

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From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

volume

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication.

well-known

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

withprepositionUS /wɪð/

in the company of; together with

From this reading It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.