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Ascanio
Ascanio

Chapter II

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Context Illustration Reading 1/88 · 5 lines
English subtitles · tap any word to listen 1 / 5
II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.
But first of all let us say a word as to the goldsmiths of the sixteenth century.
There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.
But the word is not to be understood as we understand it to-day.
The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Ascanio

Chapter II

Reading 1/88 · 5 reading units · Lines 1–5

Line 1
II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.
Line 2
But first of all let us say a word as to the goldsmiths of the sixteenth century.
Line 3
There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.
Line 4
But the word is not to be understood as we understand it to-day.
Line 5
The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.

Learner Dictionary

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.

Been auxiliary verb US /bɪn/

the past participle of “be”

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

First noun US /first/

an important story-specific word used in this passage

From this reading “But first of all let us say a word as to the goldsmiths of the sixteenth century.”

Have auxiliary verb US /hæv/

used with a past participle to form the perfect tenses

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

Let auxiliary verb US /let/

used to make a suggestion or a command including the speaker

From this reading “But first of all let us say a word as to the goldsmiths of the sixteenth century.”

May modal verb US /meɪ/

used to say something is possible, or to give permission

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

Name noun US /name/

an important story-specific word used in this passage

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

One pronoun US /wʌn/

used to mean any person in general, including the speaker

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

Short adjective US /ʃɔrt/

brief or direct in expression

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

Since preposition US /sɪns/

from a time in the past until now

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

These determiner US /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading “There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.”

Time noun US /time/

an important story-specific word used in this passage

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

Understand noun US /understand/

an important story-specific word used in this passage

From this reading “But the word is not to be understood as we understand it to-day.”

Upon preposition US /əˈpɑːn/

a formal word for “on”

From this reading “II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.”

All words in this reading · 93

Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

all

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

approach

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

artist

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.

artistic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.

atprepositionUS /æt/

in or near a particular place or position

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading But the word is not to be understood as we understand it to-day.

become

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

Benvenuto

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

bridge

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.

called

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

Cellini

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

CENTURY

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

characters

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

covered

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

crave

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

day

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

days

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

destined

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

digression

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

drawn

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

extraordinary

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

firstnounUS /first/

an important story-specific word used in this passage

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.

Florence

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

follows

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

formerly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.

France

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

GOLDSMITH

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

goldsmiths

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

history

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

houses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

II

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

indulge

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But the word is not to be understood as we understand it to-day.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.

living

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

man

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

mentioned

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

months

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

more

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

namenounUS /name/

an important story-specific word used in this passage

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading But the word is not to be understood as we understand it to-day.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

old

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.

permission

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

Ponte-Vecchio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

portrait

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

principal

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

propose

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

reader's

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From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

say

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.

shops

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From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

shortadjectiveUS /ʃɔrt/

brief or direct in expression

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

SinceprepositionUS /sɪns/

from a time in the past until now

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

SIXTEENTH

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From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

subject

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From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

There

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

timenounUS /time/

an important story-specific word used in this passage

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

to-day

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But the word is not to be understood as we understand it to-day.

trade

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.

treat

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

two

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

understandnounUS /understand/

an important story-specific word used in this passage

From this reading But the word is not to be understood as we understand it to-day.

understandingly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

understood

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But the word is not to be understood as we understand it to-day.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The goldsmith of our day follows a trade; formerly, the goldsmith was an artist.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

whopronounUS /huː/

which person or people

From this reading II A GOLDSMITH OF THE SIXTEENTH CENTURY Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.

withprepositionUS /wɪð/

in the company of; together with

From this reading There is at Florence a bridge called the Ponte-Vecchio, which is covered with houses to this day; these houses were in the old days goldsmiths' shops.

word

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But first of all let us say a word as to the goldsmiths of the sixteenth century.